Why Me?

Fat Cat: Kent Cheng
Koko: Olivia Cheng
Mr. Chow: Chow Yun-Fat
Kong: Paul Chu Kong

IMDb link: http://us.imdb.com/Title?0089259
other links:
Version reviewed: DVD
Ratings:
nbsp;nbsp;nbsp; DVD Audio: 8 of 10
nbsp;nbsp;nbsp; DVD Video: 8 of 10
nbsp;nbsp;nbsp; Subtitles: 7 of 10
nbsp;nbsp;nbsp; Story: 5 of 10
nbsp;nbsp;nbsp; Performances: 7 of 10
nbsp;nbsp;nbsp; CYF: 5 of 10

Chow Yun-Fat plays only a small role in this disjointed comedy/drama about a mentally retarded man and the social worker who tries to help him.

This is not a film to cheer you up. Kent Cheng won a Hong Kong Film Award as Best Actor for his performance as Fat Cat, a mentally retarded man living in poverty with his widowed mother. Olivia Cheng portrays the social worker on her first case who is put through the wringer trying to believe in a system which is failing all around her. While she has the best of intentions, her efforts seem doomed to fail, as she has to fight both the staggering caseload of the system, the ignorance of the villagers who both fear and torment Fat Cat, and the apathy of her boss/boyfriend (a small role played by Chow Yun-Fat).

Even though there are comedic touches, the dual storylines of the genial retarded man suffering at the hands of the government and local punks coupled with the social worker's irresponsible bum of a father (played briefly but poignantly by Paul Chu Kong) being a burden to everyone around him is almost unbearable. While one can assume that the low comedy was added for relief from the tragedy unfolding (such scenes as Chow Yun-Fat suffering from, shall we say, "unrelieved needs" after an interrupted rendezvous with his girlfriend) it does not meld well with the other elements of the film; these scenes and the strange inclusion of Eric Tsang and his intentionally bad jokes were perhaps spliced in as an afterthought. It's a disturbing shift from the anguish of the main storyline, and doesn't offer comic relief as much as merely seems puzzling and at times downright crass.

Watching this film is almost a struggle, as it brings home all too clearly the misfortunes of the characters and their pain. Having said that, to see Kent Cheng act in this film, no matter how depressing, is a wonder. The mother's deathbed scene is an exquisite portrayal that in unashamedly of the tear-jerking variety.

Those who are only looking to see Chow Yun-Fat may want to give this one a miss, but if you have the heart (and stomach), watch it for Kent Cheng's incredible talents. Unfortunately along with the misguided joking interludes a very bizarre ending was tacked onto the film; while it was probably meant to be uplifting, for me at least it was rather tragic, as if the entire tale was about to begin again and the suffering re-created with yet another unfortunate victim of fate and society. A great central performance, but a depressing and unbalanced film.





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